One critic wrote: "Every writer of fiction, although it can not adopt the dramatic form, writes in the deed for the stage." If the instruction of Dickens do not take the word "stage" can be taken literally. Much of the writing involves Dickens' evocation of the landscape, such as swamps in "Great Expectations" or the beach at Yarmouth, "David Copperfield", which could not be accommodated on the stage. Nor could the stage numerous scene changesoccurring in the novels of Dickens. The "stage" of Dickens, comes to the stage of the reader's imagination, and her narrative technique plays on a stage to grab and hold our imagination.
Dickens 'dramatic technique' has more in common with cinema than with the theater, but the film is essentially a means dramatic in that it works through character, plot, dialogue and setting, and only minimally through literary techniques. This essay will examine some ofDramatic and literary techniques found in Dickens's writing, and consider their effectiveness and their limitations.
When we think of a Dickens novel, is the photos and the dramatic events that, first, to mind. In the picture we see, for example, the house boat at Yarmouth Peggoty in "David Copperfield", the inside of the cave of Fagin in "Oliver Twist" and the wedding feast in Miss Havisham's room frozen in "Great Expectations". Among the dramatic events that you can remember that threaten MagwitchPip in the cemetery, Oliver, as expounded by Micawber and Uriah Heep.
Dickens 'pictures' are part of the fabric of the narrative, transmitting meanings in themselves, and, unlike, for example, James Joyce's descriptions, we need not interpret the images found on the search for symbolism, but to see life . E 'on the stage to evoke images of our imagination that draws us into the story. For example:
"She was dressed in rich materials- Satin and lace and silk - all white. Her shoes were white. It had a long white veil dependent from her hair, and she had bridal flowers in her hair, but his hair was white. Some bright jewels on the neck and hands flashed, and some other jewels lay sparkling on the table. "(Great Expectations. Ch.8.)
The words of this place serves one purpose, we see the scene in our imagination. The writer position that an objective reporter, andshort phrases of fact, the detailed observation not made in itself provide an answer or opinion. The player does not respond to words, but on the picture. Indeed, the passage is notable for the absence of stimulus words. Nowhere we see words like 'Expires' 'horror', 'stagnation' or 'death', yet we can at least understand, Pip horror that he is in this room, where the only sign of life is the movement of dark eyes looked at him.
AsAn example of a dramatic event, with action and dialogue is possible this shift from "take Oliver Twist."
"Oliver once before to look around, Sikes took him under his arms, and three or four seconds, he and Toby was on the grass on the other side. Sikes followed directly. And yet cautiously towards the house.
. . . He shook hands, and involuntarily uttered a faint cry of horror. A mist came before his eyes, the cold sweat on hisashen face, refused to members of his and he fell to his knees.
"Arise!" murmured Sikes, trembling with rage, and drawing his pistol from his pocket, "Get up or I'll sprinkle the brain grass.
Here the movement of the drama is so powerful that you do not need dialogue, we want to understand what was happening, if the scene looks like a silent movie. Oliver is forced against his will in a certain direction, and defendsall its power, both physically and morally. The dramatic scene shows how rotation Oliver against his will since he was born in forced poorhouse. This is Dickens in his dramatic, adding characters and actions live on stage in our imagination.
Most of the functions of writing Dickens' in this way, but there is much that is not dramatic, that runs on a verbal, literary level.
"It was more obvious, I thought, in terms ofarts because he wanted to brush her hair always wanted to always wash their hands, and her shoes always wanted mending and pulling up the heel. This description must be received with a restriction on the week. Last Sunday went to church elaborated. "(" Great Expectations "Ch.7.)
The reader can be a visual image of Biddy from these fragments, but the transition from great ideas as images and achieved its influence through the use of language, an effect that is notdirect parallel in film or theater.
A more subtle literary technique that goes beyond the boundaries of drama is shown near the opening of "Great Expectations":
Since I never saw my father or my mother, and never saw a similarity between the two of them (for their long days before the time of the shots), were my first fantasies about what they like for no reason are derived from their tombstones. The shape of the letters my father gave me was a strange idea that he is aman square, dense, dark, curly hair and blacks. ("Great Expectations" CH.1.)
This step gives an intimate and complex process in which an individual's thoughts mingle with his perception of the outside world. The activity is purely conceptual, illustrating the power of literature to theater or film - his ability to communicate ideas and intellectual thought processes.
'David Copperfield' is perhaps the least dramatic of the three novels. As the 'GreatExpectations "It 'a fictional autobiography in person, but unlike Pip, David became a writer and is interested in knowledge of his craft. So read' David Copperfield 'We are far more important to realize that we have a history that we are in "Great Expectations", he said.
I was in school! The silent gliding on of my existence - the subtle invisible progress of my life - from childhood to youth! Let me think, as I look back to that water, now a dry channelcovered with leaves, if there are any marks on their path through which I can remember how things were going in. ('David Copperfield' Ch.18).
This is the work of an artist aware primarily interested in his imagination, and again there is an intimacy between author and reader that can not be achieved in half dramatic.
You could not talk about Dickens drama, without its characters. The variety and memorability of Dickens 'character' is perhaps his greatestPerformance as a writer. Often these are cartoons, caricatures, but to capture what is actually alive. Each school must have its Steerforth, his criminal world, Bill and Nancy, a fishing village, is Peggoty. These are the characters of Dickens is based on its "stage".
I want a passage whose relevance to the theme of this paper is to conclude on hand. Perhaps it is reasonable to assume that it gives us an idea of the creative spirit of Dickens andas Pip.
"What did he say presented pictures to me, and not mere words. In the excited and exalted state of my brain, I could not think of a place without seeing it, or people without seeing them. It 'impossible vividness of the images" ("Great Expectations" Ch exaggerate 53.)
Copyright Mackean Ian. Read the full version of this article at:
http://www. -study-online.com/essays/dickens.html Literature
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