One critic wrote: "As a novelist, although it can not adopt the dramatic form, writes in effect for the stage." In considering the evidence in relation to Dickens, we can not use the "stage" word too literally. Includes most of the writing Dickens', the evocation of the landscape, as the swamps of "Great Expectations", or the beach at Yarmouth in "David Copperfield", which could not be accommodated on the stage. Nor could the stage the many scene changesused in the novels of Dickens. The "stage" Dickens refers to the phase of the reader's imagination, and her narrative technique plays on the "stage" to grab and hold on our imagination.
Dickens 'dramatic technique' has more in common with the movie theater, the cinema is essentially a means dramatic, which works through character, plot, dialogue and setting, and only a small part of the literary techniques. In this essay I will address some of the flightsdramatic and literary techniques found in Dickens to write ', and consider their effectiveness and their limitations.
When we think of a Dickens novel, and the pictures and the dramatic events that first spring to mind. In the picture we see, for example Peggoty house boat in Yarmouth in "David Copperfield", the inside of the cave of Fagin in "Oliver Twist" and the wedding party frozen in the room Miss Havisham in "Great Expectations". The dramatic events that we might remember Magwitch ThreatPip in the graveyard Oliver ask for more unmasked by Micawber and Uriah Heep.
Dickens 'pictures' are part of the fabric of the narrative, transportation and meaning in itself, unlike, for example, descriptions of James Joyce, we are not obliged to interpret the images on the search for symbolism, but to see them live. E 'on the stage by recalling the images of our imagination, draws us into the story. For example:
"She was dressed in rich materials- In satin and lace and silk - all white. Her shoes were white. It had a long white veil dependent from her hair, and she had bridal flowers in her hair, but his hair were white. Some bright jewels on his neck and hands, lightning, and some other gems were sparkling on the table. "(Great Expectations. Ch.8).
The items here are only one purpose, that there should be the scene to see in our imagination. The writer is the attitude of an objective reporter, andshort phrases, in fact, packed with detailed observation, not in itself provide an answer or an opinion. The player does not respond to words, but on the picture. In fact, the passage is remarkable for its complete lack of emotional words. Nowhere do not see words like "Expires", "horror", "stagnation" or "death" and still feels, or at least understand Pip horror, that in this room, where the only sign of life is the movement's dark eyes look .
AsAn example of a dramatic event, with action and dialogue, we can at this point, "Oliver Twist".
'Before Oliver had time to look round, Sikes had taken him under his arms, and within seconds three or four, and Toby was lying on the grass on the other side. Sikes followed directly. And they carefully toward the house.
. . . He folded his hands, and involuntarily uttered a subdued exclamation of horror. A mist came before his eyes, the cold sweat on hisashen face, refused to members of his and he fell to his knees.
"Get up!" murmured Sikes, trembling with anger, and drawing his pistol from his pocket, "Get up or I'll scatter your brains on the grass."
Here the movement of the dramatic action is so powerful that we do not really need dialogue, we well understand what was going on when the scene was presented as a silent film would. Oliver is forced against his will in a certain direction, and it is with the resistanceall its power, both physically and morally. The dramatic scene shows the way roles Oliver is forced against his will, because he was born in the workhouse. This is by Dickens in his vivid characters and dramatic action on the stage of our imagination.
Most of the functions of writing of Dickens' in this way, but there is much that is not dramatic, the functions in a report, a literary level.
"It was more obvious, I thought, in terms ofarts because he wanted to brush her hair always wash their hands always wanted, and her shoes always wanted mending and pulling up the heel. This description must be received with a restriction on the week. Last Sunday I went to church elaborated. "(" Great Expectations "Ch.7).
The reader could create a visual image of Biddy from these fragments, but really conveys the passage of ideas as images and makes the impact of language use and the effect it hasdirect parallel in film or theater.
A more subtle literary technique that goes beyond the boundaries of the game, at the opening of "Great Expectations" below:
Since I never saw my father or my mother, and has never seen a likeness of one of them (for its long days before the date of the photo) was my first fantasies about what they were like were unreasonably derived from their tombstones. The shape of the letters my father gave me an odd idea that he is asquare, strong man with curly hair and dark blacks. ("Great Expectations" Ch.1.)
This step provides an intimate and complex process in which individual thoughts mingle with his perception of the outside world. The activity is purely conceptual, which is the power of literature, theater or film - the ability to communicate concepts and intellectual thought processes.
'David Copperfield' is perhaps the least dramatic of the three novels. How GreatExpectations' is a fictional autobiography in first person, but unlike Pip, David became a writer and knowingly concerned in his job. So, reading "David Copperfield" we are much more aware of the fact that we, as a story told in "Great Expectations".
My school! The silent gliding on of my existence - the invisible imperceptible, the progress of my life - from infancy to youth! Let me think, as I prepare to watch the water flowing, now a dry channelcovered with leaves, if there are signs along its course through which I remember as has been demonstrated. ('David Copperfield' Ch.18).
This is the work of a conscious artist primarily interested in his imagination, and again there is an intimacy between author and reader that can not be achieved in half dramatic.
You can not talk about the drama of Dickens, with his characters. The variety and memorability of the character of Dickens' is perhaps his greatestPerformance as a writer. Often they are caricatures, but to capture the cartoons what is available in life. Each school must have its Steerforth, his criminal world, Bill and Nancy, a fishing village Peggoty. These are the characters of Dickens is based on its "stage".
I want a passage whose relevance to the topic of this article is at hand. Perhaps it is reasonable to assume that it gives us an idea of the creative spirit of Dickens andas pips.
"What he did say presented pictures to me, and not just words. In the excited and exalted state of my brain, I could not think of a place, without seeing, or people without seeing them. It 's impossible, the vividness of these images to exaggerate "(" Great Expectations "Ch 53)
Copyright Mackean Ian. Read the full version of this article at:
http://www. -study-online.com/essays/dickens.html literature
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